So why was Sunday's concert so important, what was it about two and a half hours of award winning progressive rock that felt so enlightening? It was a number of things, taking my daughter with me was part of it, seeing how much she enjoyed the show (we're in the photo above together) reminded me how I bonded with my own Father over shared musical tastes. That took me back to those early albums and early musical experiences that shaped my first forrays into writing when I was at school. Secondly the whole thing was so joyful, the crowd were all complete afficinados of the band and each musician seemed to be thriving on the fact that they literally had a captive audience to play to. Then, above and beyond all else, there was the music, some of the best songs I've discovered in recent years played expertly by a set of extremely talented musicians, each bringing something to the stage that made the whole thing far, far more than the sum of its expert parts.
With reflection there was a lot I could take away from this concert and from becoming a fan of Big, Big Train and listening to their music.
1) Collaborate with lots of talented people.
Fidelity isn't a trait I hold highly in my musical heroes. Artists like Neil Finn, Steven Wilson, Mark Lanegan and Mike Patton record under a variety of names and with a variety of musicians and their discographies have been all the better for it. Members of the Seattle bands that were such a big part of my teenage years have tended to form supergroups and have numerous side projects on the go too. I like the fact I have music by At the Drive In, Mars Volta, Bosnian Rainbows and Antemasque in my collection too. Big Big Train evolved from being a duo into the eight-piece band they are today (thirteen when they add in the brass section) and each member of the band has other projects and other collaborators. Founding members Andy Poole and Greg Spawton have changed instruments over the years, guitarist Dave Gregory is also in Tin Spirits and was on twelve XTC albums, Rikard Sobjolm also fronts Beardfish in his native Sweden, Nick D'Virgilio was also the Spock's Beard drummer, he's recorded solo records, worked with Cirque de Soleil and appeared on a Genesis album, violinist Rachel Ward used to perform in a duo alongside her Father, vocalist David Longdon and pianist/double bass player Danny Manners have both been in the Louis Philippe band. I'm remnded that I can write alone and co-write with people, work with a variety of artists and in a mixture of genres to keep my work fresh and interesting.